After successful previous events in Ohio and around the country, Writing Day Workshops is excited to announce The 2024 Ohio Writing Workshop — an online “How to Get Published” writing event on May 10-11, 2024. (Writers are welcome to attend virtually from everywhere and anywhere.)

This writing event is a wonderful opportunity to get intense instruction over the course of one day, pitch a literary agent or editor (optional), get your questions answered, and more. Note that there are limited online “seats” at the event (200 total). All questions about the event regarding schedule, details and registration are answered below. Thank you for your interest in the 2024 Ohio Writing Workshop!

ONLINE: Writing Day Workshops plans both in-person and virtual/online conferences. The 2024 OWW is an Online Conference, on May 10-11. Online events are easy and awesome, and the virtual events we’ve done thus far have received wonderful feedback. You do not have to be tech-savvy to do this, and understand we are keeping all aspects of a traditional in-person event, including one-on-one agent & editor pitching, which will now be done by Zoom or phone. Learn all details about what it means to have a writers conference online.)

WHAT IS IT?

This is a special two-day “How to Get Published” writing workshop on May 10-11, 2024. In other words, it’s two days full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript, and more. No matter what you’re writing — fiction or nonfiction — the day’s classes will help point you in the right direction. Writers of all genres are welcome. And even though this is the “Ohio” Writing Workshop, make no mistake — writers from everywhere are welcome to attend virtually. Our WDW writers conferences have helped dozens of writers find literary agent representation — see our growing list of success stories here.

This event is designed to squeeze as much into two days of learning as possible. You can ask any questions you like during the online classes, and get your specific concerns addressed. We will have literary agents online to give feedback and take pitches from writers, as well. This year’s 2024 OWW agent & editor faculty so far includes:

• literary agent Cathie Hedrick-Armstrong (The Purcell Agency)
• literary agent Gabriela Laracuente Sanchez (Howland Literary)
• literary agent Rebecca Rodd (Levine Greenberg Rostan Literary Agency)
• literary agent Kat Kerr (Donald Maass Literary Agency)
• literary agent Mindi St. Peter (BAM Management)
• literary agent Elisa Saphier (Macgregor Luedeke Literary)
• literary agent Kat Foxx (The Rights Factory)
• literary agent Elisa Moles (Painted Fire Literary)
• literary agent Jackie Kruzie (Focused Artists)
• literary agent Bethany Jett (CYLE Literary)
• literary agent Yona Levin (United Talent Agency)
• literary agent Morgan Hughes (Fineprint Literary)
• literary agent Sarah Fisk (Tobias Literary)
• literary agent Brandy Vallance (Barbara Bova Literary Agency)
• literary agent Vicky Weber (The Purcell Agency)
• literary agent Tamanna Bhasin (The Rights Factory)
• literary agent Anjanette Barr (Dunham Literary)
• literary agent Jane Chun (Transatlantic Agency)
• literary agent Stephanie Phillips (SBR Media)
• editor Leticia Gomez (Kensington and Dafina)
• literary agent Eve Adler (Red Fox Literary)
• literary agent Haley Casey (Creative Media Agency)
• literary agent Katie Monson (SBR Media)  
• literary agent Sheyla Knigge (High Line Literary Collective)
• literary agent Paul Levine (Paul Levine Literary Agency)
• literary agent Amy Nielsen (The Purcell Agency)
• literary agent Nour Sallam (PS Literary)
• literary agent James Mustelier (The Bent Agency)
• literary agent Keir Alekseii (Azantian Literary)
• literary agent Trinica Sampson-Vera (New Leaf Literary + Media)
• literary agent Annie Bomke (Annie Bomke Literary)
• literary agent Kara Grajkowski (3 Seas Literary)
• and more agents to come.

By the end of the day, you will have all the tools you need to move forward on your writing journey. This independent event is organized by coordinator Brian Klems of Writing Day Workshops. Contact Brian at WDWconference@gmail.com to register, and say you’re interested in the Ohio event.

EVENT LOCATION & DETAILS:

ONLINE: Writing Day Workshops plans both in-person and virtual/online conferences. The 2024 OWW is an Online Conference, on May 10-11. Online events are easy and awesome, and the virtual events we’ve done thus far have received wonderful feedback. You do not have to be tech-savvy to do this, and understand we are keeping all aspects of a traditional in-person event, including one-on-one agent & editor pitching, which will now be done by Zoom or phone. Learn all details about what it means to have a writers conference online.)

THIS YEAR’S SESSIONS & WORKSHOPS (MAY 10-11, 2024):

What you see below is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule Page here.

Agent pitches and critique consultations overlap with Saturday sessions. The schedule of presentation topics below is subject to change and updates:

FRIDAY, MAY 10, 2024

10:45 – 11:45: Revision Workshop: How to Tighten your Manuscript and Drop Words Without Cutting Large Passages. Join this workshop to learn how to tighten that manuscript and reduce word count while still maintaining all the important elements you’d hoped to convey and that make your story uniquely yours.

11:45 – 1:15: Break

1:15 – 2:30: What Agents are Looking for in a Query Letter. Putting the querying process in perspective as an agent, and sharing some general rules, structure, and recommendations for which parts of the submission need more time and focus than others.

* * * * *

SATURDAY, MAY 11, 2024

9:30 – 10:30: The Top 5 Mistakes Writers Make in Early Drafts. Aspiring and seasoned writers alike will benefit from a deep dive into the common pitfalls that often plague early drafts.

10:45 – 11:45: Start Strong: How to Get an Agent’s Attention with the First 50 Pages of your Novel. In this session we will explore strategies to establish strong firsts – first line, first page, and first 50 pages through creating engaging characters, voice and tone, and building tension to keep the reader turning the pages.

11:45 – 1:15: Break

1:15 – 2:30: “Writers Got Talent”—a Page 1 Critique Fest, with participating literary agents and editors. In the vein of “American Idol” or “America’s Got Talent,” this is a chance to get your first page read (anonymously — no bylines given) with attending agents commenting on what was liked or not liked about the submission.

2:45 – 3:45: Open Agent Q&A Panel. Several attending literary agents will open themselves up to open Q&A from OWW attendees. Bring your questions and get them answered in this popular session.

4:00 – 5:00: Publishing Contracts 101. This seminar goes over common contract structure, provisions, and pitfalls, as well as demystifying some of the more legalistic language that seriously implicates authors.

Agent pitches and critique consultations overlap with Saturday sessions. The schedule of presentation topics below is subject to change and updates:

(What you see here is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule Page here.)

Agent & Editor Pitching: All throughout the day.

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PITCH AN AGENT OR EDITOR:

Kara Grajkowski is a literary agent with 3 Seas Literary. She is seeking: contemporary Middle Grade Fiction, contemporary YA Fiction, and #OwnVoices. (She is not the best fit for fantasy.) “I have a soft spot for contemporary fiction stories, especially if the main character doesn’t have it all figured out yet. I am searching for the best middle grade and YA fiction stories that have you smiling, crying, and growing right along with the characters.” Learn more about Kara here.

Rebecca Rodd is a literary agent with Levine Greenberg Rostan Literary Agency. In the nonfiction space, Rebecca is interested in millennial experiences and perspectives. She’s also interested in pop culture and social commentary, especially from underrepresented voices. Currently, in YA and adult fiction, Rebecca is looking for: anything set on an HBCU campus, a BIPOC Big Bang Theory, a love story with the depth and complexity of Tia Williams’s Seven Days in June, or a devourable romcom that would sit nicely on a shelf with Jasmine Guillory and Helen Hoang. In children’s, Rebecca would love to find an ensemble cast boasting equal parts brains, snark, and determination a la The Mysterious Benedict Society. Learn more about Rebecca here.

James Mustelier [SOLD OUT OF PITCH APPOINTMENTS] is a literary agent with The Bent Agency. I’m looking for a range of commercial and literary fiction and nonfiction. In all genres (but particularly in literary fiction) I prize economical prose, complex characters, steadily building tension, narrative gravity, and the momentary relief of dark humor, even (or especially) amid dire circumstances. In commercial fiction I’m looking for compact horror and mysteries with big hooks and intricate plotting. In sci-fi and fantasy I’m drawn to stories that are grounded in reality and have high stakes that touch on contemporary issues — more speculative fiction and alternate histories than high fantasy or space opera. In nonfiction I’m looking for books that give me a vivid look into subcultures and events I might not otherwise have had the chance to explore. Much of my favorite nonfiction melds a distinct narrative voice with rigorous research. In young adult and middle grade I’m interested in epic fantasy, grounded sci-fi, and irreverent retellings of fairy tales, classic myths, and historical events. I’m specifically seeking stories written from diverse perspectives that draw from underrepresented cultures.” Learn more about James here.

Gabriela Laracuente Sanchez is a literary agent with Howland Literary. In adult fiction, she is looking for literary and upmarket works that have strong cultural influences—especially from Hispanic and Latine backgrounds. She wants to see works that explore topics of cultural identity, complex family dynamics, womanhood, and characters adapting to new spaces. She is also interested in projects that are multilingual and utilize code-switching, incorporate elements of magical realism and speculative fiction, and incorporate elements of food writing. In adult nonfiction, she is looking for cookbooks of Latin-American and Caribbean cuisine. Learn more about Gabriela here.

Elisa Saphier is a literary agent at MacGregor & Luedeke. She is open to most fiction and memoir except for high fantasy & science fiction, series writing (she like standalones), picture books, and probably chapter books “I am always most excited to find great writing and full characters, regardless of genre. I am focused on uplifting marginalized voices and want to be a part of seeing publishing become more equitable and less unbalanced of underrepresented writers.” In adult fiction, she seeks: literary psychological thrillers/mystery; queer romance (especially but not exclusively friends to lovers and forced proximity); literary fiction; literary memoir; stories of marginalized people where the marginalization isn’t the story; dark academia; suburban malaise. She also seeks young adult fiction and middle grade. Learn more about Elisa here.

Jackie Kruzie is a literary agent with Focused Artists. She is seeking Commercial Fiction, Contemporary, Graphic novels, Historical Fiction, Horror, LGBTQ+, Middle Grade, Mystery, Paranormal, Picture books, Supernatural, Thriller, Upmarket, Western, Women’s Fiction, and Young Adult. “In both adult and children’s titles I welcome diverse characters and would like to see more main LGBTQ+ characters in a setting where they exist without scrutiny and their sexuality isn’t the main issue, but simply a component of the story.” Learn more about Jackie here.

Jane Chun is a literary agent with Transatlantic Agency. Jane is particularly interested in stories that center marginalized communities and prose that is cinematic and atmospheric with good rhythm. For fiction, she is seeking commercial, upmarket, and literary works in both adult and MG/YA about the search for and rebuilding of identity, diaspora, family and community, and examinations of power in relationships. She is also looking for fantasy, sci-fi, and speculative fiction that delve into sharp social commentary and have meticulous world building and settings that don’t feel like Western Europe. For historical fiction, she likes hidden histories and anything that is set in a time or place she’s not familiar with or focuses on a community that has been often overlooked if it’s a time/place she knows. In terms of nonfiction, she is looking for memoirs and narrative nonfiction with a nuanced, intersectional approach and similar themes to her interests in fiction. She also is interested in books about food, travel, pop culture, and cultural criticism that dive deeply and thoughtfully into culture and traditions, particularly those written by authors of color. In addition to traditional prose, she is very interested in graphic novels and nonfiction. Learn more about Jane here.

Paul S. Levine is a literary agent and the founder of Paul S. Levine Literary. He is also an attorney. His fiction interests include adventure novels, mainstream fiction, mysteries, romance, thrillers, and women’s fiction. His nonfiction interests include business/commerce, pop culture, how-to, self-help, politics/law, relationships, and sports. Learn more about Paul here.

Keir Alekseii is a literary agent with Azantian Literary Agency. Keir is seeking YA & Adult sci-fi / fantasy / horror and YA contemporary novels. She is ONLY open to taking pitches from writers who identify as belonging to a marginalized or underrepresented community. Across all genres, Keir loves complex, smart, emotional characters and they would love to see more books with morally gray, unapologetic characters. Genre blending and/or bending books are welcome. Retellings or re-imaginings that match her wish list are welcome. Learn more about Keir here.

Bethany Jett is a literary agent with CYLE Literary. She is looking for adult fiction books within these genres: commercial, upmarket, and literary fiction; historical; time travel and time slip;  romantic comedies (low spice, sweet HEA); cozy mysteries with depth. In picture books, she seeks: text-only manuscripts and author-illustrator. She is open to PBs of all kinds but am specifically looking for: holiday, bilingual, where the MC has a disability but it does not define who they are, books that provide back matter (like Stella’s Stellar Hair), and STEM, STEAM, SEL. In middle grade and young adult, she seeks: everything listed in the adult fiction genres above, as well as horror, cozy fantasy / magical realism, and some fantasy (fantasy: noblebright, nobledark, grimbright). In Nonfiction, she seeks: platform-driven authors writing cookbooks, how-to, self-help, Christian living, lifestyle, home & garden, business, leadership, inspirational/gift, devotionals, Bible studies. Learn more about Bethany here.

Vicky Weber is a literary agent with The Purcell Agency. She is seeking: Picture Books (anything heartfelt, educational, or lighthearted); Young Adult (fantasy, mystery, horror, thriller, suspense); Middle Grade (fantasy, mystery, magic); and Adult Fiction (fantasy and thrillers). Vicky specializes in picture books. She wants to be dropped into the moment and experience the story alongside the characters. She is always seeking underrepresented authors, BIPOC, LGBTQ+. Learn more about Vicki here.

Trinica Sampson-Vera is a literary agent with New Leaf Literary & Media. Trinica is accepting children’s and adult fiction and nonfiction. Across age groups, she loves adventurous, character-driven stories with largely emotional stakes. Trinica is passionate about championing diverse and marginalized voices. Some of the things she is specifically seeking include: speculative fiction (especially horror, cozy-to-high fantasy, hopepunk, and near future science fiction); romance and romcoms (especially featuring sapphic/queer relationships); Caribbean (especially Trinidad & Tobago) characters/settings; reality TV premises; and retellings. Learn more about Trinica here.

Eve Adler is a literary agent at Red Fox Literary. She seeks board books, picture books, and chapter books. “I represent board books, picture books, early readers, and chapter books. I’m actively building my list, and welcome submissions in the 0-10 age range, especially from author-illustrators. I’m drawn to stories that make kids feel comforted, loved, and understood; to diverse voices; to ideas that break the mold; to projects that meet kids where they are developmentally; and to books that expand kids’ worlds while helping them understand their own. What I’m looking for: I’m seeking projects for ages 0-10 that elicit strong emotions—I love manuscripts and dummies that give me goosebumps. Please note that I do not represent YA or adult books, and I’m not interested in fantasy, horror, or sci-fi.” Learn more about Eve here.

Brandy Vallance [SOLD OUT OF PITCH APPOINTMENTS] is a literary agent with Barbara Bova Literary Agency. “I represent these genres but I am also not limited to these genres: historical fiction, historical romance, historical mystery, romance, literary, women’s fiction, Southern fiction, science fiction, fantasy, young adult, adventure, speculative, inspirational, thriller. I’m a fan of: atmospheric writing; stories set in the British Isles, Europe, or exotic locations; Regency, Victorian, and Edwardian romance; Victorian time period in general (other centuries are welcome too); archaeology / artifacts / history’s mysteries; stories that explore Biblical themes without being preachy (ex. Charles Martin books); Appalachian stories / mountain culture; fantasy & sci-fi in almost every sub-category; characters who are writers, artists, or have a unique profession; and more.” Learn more about Brandy here.

Leticia Gomez is the editorial director for Kensington Books and Dafina. Leticia is the Editorial Director for Dafina Books, an imprint of Kensington Publishing Corp., which focuses on high-quality fiction and nonfiction that centers on race, identity, and its impact on our experiences. Dafina’s carefully curated list is a home for dynamic stories that innovate and amplify voices too long ignored through books that entertain, challenge, and inspire. Launched in 2000 as the first African-American imprint, Dafina has led the market for more than twenty years in highlighting voices of color. Leticia is actively seeking to acquire multicultural fiction and nonfiction of all genres, including literary fiction, commercial fiction, historical fiction, romance, mystery, and narrative nonfiction of all genres with a focus on authors of color (BIPOC) hailing from all walks of life, as well as specific nonfiction projects for marginalized communities. In addition to her role at Kensington, Leticia is a prominent literary/film/television agent who specializes in bringing culturally diverse voices to the forefront. Savvy Literary is now an industry leader specializing in Self-help, Narrative Nonfiction, Memoir, True Crime, Spiritual/Inspirational, Political/Current Affairs, Suspense/Thriller, Family Drama, and the Young Adult market. Championing the work of minority writers continues to be a top priority for the agency. Learn more about Leticia here.

Catherine Hedrick-Armstrong is a literary agent with The Purcell Agency. A prolific reader of many genres, Cathie represents young adult fiction, contemporary and historical romance, upmarket women’s fiction, mysteries, and thrillers. She deliberately keeps her client list small to give her authors the attention each deserves. Cathie looks for manuscripts that catch her attention within the first few pages. If you can evoke an emotional response in the opening pages—make her laugh out loud, cause her pulse to race, make her cry—you’ve got a winner. Cathie is never interested in Science Fiction or High Fantasy in any genre; however, fantasy with paranormal/supernatural elements, if absolutely grounded in the real world, can be a good fit. Learn more about Catherine here.

Nour Sallam is an associate agent at PS Literary Agency.  Nour is acquiring both fiction and nonfiction for adults. She is actively seeking projects that  address social and political issues, and/or center BIPOC characters. She is drawn to titles that explore the diverse experiences of underrepresented groups and challenge our understanding of diasporic experiences and/or cultures. In terms of fiction, she is seeking commercial and upmarket titles, contemporary fiction with fabulist elements, speculative fiction, edgy psychological thrillers, as well as mysteries, light horror and rom-coms featuring underrepresented characters of any background. For nonfiction, Nour welcomes fresh and accessible perspectives on big concept ideas or industry deep-dives as well as personal narratives on pop culture, art, and nature. She also appreciates books that offer incisive commentary on culture, socio-economic structures, health and wellness, and lifestyle. Learn more about Nour here.

Stephanie Phillips is a literary agent and founder of SBR Media. The genres I prefer are Paranormal, Paranormal Romance, Romantic Suspense, Psychological Thriller, Contemporary Romance, BDSM, Erotica, Women’s Lit. I may consider others outside of these to represent. With over two hundred clients and three times as many deals between her and her eight agents, she’s happy to see SBR Media is a force in the literary world. Learn more about Stephanie here.

Annie Bomke is a literary agent with Annie Bomke Literary Agency. She represents a wide variety of adult and YA fiction and nonfiction, including commercial and literary fiction, upmarket fiction, mysteries (from hilarious cozies to gritty police procedurals and everything in between), historical fiction, women’s fiction, psychological thrillers, literary/psychological horror, self-help, business, health/diet, cookbooks, memoir, relationships, current events, psychology, and narrative nonfiction. Learn more about Annie here.

Kat Foxx is a literary agent at The Rights Factory. In fiction, she’s looking for Adult and YA thriller/mystery/suspense, gothic and supernatural horror, historical fiction (preferably pre-20th century), historical fantasy (witches, ghosts, time travel, past lives, etc.), and romcom and romance (light spice). She also enjoys fairytale/folklore retellings and some speculative fiction, anything nostalgic, anything to do with past lives and soul connections, haunted houses, ancestry, and midwifery/natural childbirth. Kat is always seeking projects from BIPOC, disabled, neurodiverse, and historically underrepresented writers and would love to see more LGBTQIA+ stories/writers. For nonfiction, Kat is seeking memoirs that read like fiction, motherhood/natural pregnancy and childbirth/midwifery/planned unassisted births, single parenthood (especially if paired with overcoming an abusive relationship with the other parent), past life/reincarnation, the “brotherhood” mentality of law enforcement, narcissistic abuse recovery, true crime, wine/food/travel, a history of witches and witchcraft, and ancient locations/civilizations. Learn more about Kat here.

Yona Levin is a literary agent with United Talent Agency. Yona is building a list of Young Adult and Middle Grade books, as well as select adult titles. In fiction, they especially like classic adventure stories, and speculative fiction & fantasy that is off the beaten path. In nonfiction, they’re looking for big idea books from fresh perspectives. Across all genres, they look for stories that inspire empathy while still being entertaining, and are often drawn to clever writing and creative formats. Learn more about Yona here.

Mindi St. Peter is a literary manager at BAMbooks. In fiction, she seeks: action/adventure, children’s, commercial, crime, domestic thriller, erotica, family saga, fantasy, general, graphic novel, historical, horror, humor, LGBTQ, literary, middle grade, mystery, new adult, picture books, psychological thriller, romance, thriller, women’s fiction, young adult. In nonfiction, she seeks: humor, LGBTQ, memoir, pop culture. Favorite sub-genres: contemporary romance, contemporary YA, literary, middle grade, magical realism, narrative nonfiction, psychological thrillers. Learn more about Mindi here.

Sheyla Knigge is a literary agent with High Line Literary Collective. Sheyla is very interested in books by marginalized creators who have yet to have the opportunity to have their voices heard particularly BIPOC, LGBTQIA, and other #OwnVoices as a fellow queer woman of color. She longs to see uplifting stories from these communities rather than ones that focus on the trauma that comes from being a part of them. Sheyla would love to see stories filled with myth, magic, and a healthy dose of smut when appropriate. Alternatively, she would love to see Percy Jackson-esque Middle Grade fiction; the type she can giggle along with as she reads them to her own children. Stories set in other lands, or other worlds tend to be her go to choice when reading so fill her inbox with them! Learn more about Sheyla here.

Morgan Hughes is a literary agent with FinePrint Literary. Morgan is seeking middle grade and young adult fantasy / adventure with a particular interest in graphic novels. She is also interested in YA, new adult, and adult romance. She loves unique narratives, strong voices, and impressive world-building, but is also drawn to small town vibes and sports settings. She is currently not seeking picture books, science fiction, thrillers/mysteries, or nonfiction. Learn more about Morgan here.

Kat Kerr [SOLD OUT OF PITCH APPOINTMENTS] is a literary agent with Donald Maass Literary Agency. Kat feels strongly about supporting programs like We Need Diverse Books and is passionate about creating space in this industry for those from historically marginalized communities. She is actively seeking to grow her client list and is particularly hungry for magical realism, literary leaning speculative (fantasy) and science fiction, women’s fiction, YA works with a lot of heart, and narrative nonfiction with something to say. In fiction, she seeks literary, upmarket, women’s, rom-coms, multicultural, speculative, magical realism, family saga, young adult, and select sci-fi and fantasy. In nonfiction, she seeks narrative nonfiction and journalistic nonfiction tackling current affairs and social justice issues, particularly covering topics of racism, immigration, LGBTQIA+ rights, gender equality, and poverty. She also represents select biographies and memoirs. Learn more about Kat here.

Haley Casey [SOLD OUT OF PITCH APPOINTMENTS is a literary agent with Creative Media Agency. In adult fiction & nonfiction, she seeks: Women’s Fiction; Book Club Fiction; Romance (Bring me your tropes!); Contemporary; Paranormal; Nonfiction; Narrative nonfiction; Cultural, LGBTQ+ and Women’s Issues. In Young Adult, she seeks: Contemporary; Mystery/Horror; Fantasy; (Light) Science Fiction;  Dystopian; and Nonfiction. In Middle Grade, she seeks: Contemporary; Mystery; Fantasy; Science Fiction; and Dystopian. I especially love anything that focuses on minority voices, including POC, LGBTQ+, disability, and mental health issues. Send me thoughtful and meaningful magical realism for any age group; manuscripts with nuanced character relationships; unique urban fantasies; clever fairytale retellings; and reimagined classics (such as Jane Austen or The Count of Monte Cristo). Learn more about Haley here.

Amy Nielsen is a literary agent with The Purcell Agency. In picture books, she seeks hyperbolic, zany storylines that teach a life lesson (even subtle) or ones with laugh-out-loud moments written simply to entertain. In middle grade, she seeks fast-paced stories mostly set in a contemporary setting that feature characters that think, act, and talk like real middle graders. In young adult, she seeks contemporary issue-driven plots where teens find themselves in situations they aren’t equipped to handle, but eventually figure it out. In adult fiction, she seeks contemporary women’s fiction where the main characters are shattering glass ceilings despite obstacles, and defying stereotypes. Diverse representation welcome. Learn more about Amy here.

Elisa Moles is a literary agent with Painted Fire Literary Agency. She is seeking: Especially interested in upmarket fiction. “In one word, what defines fantastic fiction narrative? Consequences. Consequences give structure. And stories with cohesive and creative structures, true to each writer’s background and voice, stand the test of time beyond the trendy topics and gimmicks of the day. I especially love psychologically complex characters. I’m looking for distinctive and compassionate voices who are telling organically unexpected stories in a wide variety of styles and genres. Surprise me.” Things you should NOT pitch her include: nonfiction, poetry, children’s books, middle grade, young adult, graphic novels, screenplays, westerns, horror, nihilist, or erotic work. Learn more about Elisa here.

Katie Monson is a literary agent with SBR Media. The adult genres she prefers are: Chick Lit, Contemporary Romance, New Adult, Psychological Thriller. For children’s books, she will take pitches for text only as well as author-illustrator. She is also open to select young adult and middle grade in the following areas: contemporary fiction, mystery, humor, adventure, and fantasy. Learn more about Katie here.

Tamanna Bhasin is a literary agent with The Rights Factory. She is seeking: adult fantasy, historical fiction, and romance. And also young adult & middle grade fantasy and historical fiction. With a keen eye for detail cultivated through her prior editorial work, Tamanna seamlessly transitioned into publishing. Her dedication to diverse narratives shines through as a literary agent—where she now combines her love for reading with her expertise in spotting compelling manuscripts across genres. Learn more about Tamanna here.

Anjanette Barr is a Literary Agent at Dunham Literary, Inc. She is seeking: This could look like an historical fiction that uses captivating detail and relatable characters to bring times-gone-by to life (My Antonia, Outlander), or it could be a sci-fi/fantasy world that highlights virtues like empathy and self-sacrifice (Lord of the Rings, Song of Albion, The Sparrow). A romance set in a place so vivid she feels she’s traveled there and wants to take up the protagonists hobbies will definitely get her attention (The Winter Sea). In nonfiction she is looking for well-researched biography (Unbroken) written in beautiful literary prose, popular science and other disciplines titles that make lay-people enchanted and invested in topics previously over their heads (The Elements by Theodore Grey, Freakonomics), and memoir with the ability to connect diverse readers (If You Lived Here I’d Know Your Name by Heather Lende). She’s also interested in books that shed light on poverty and justice in a new way (Evicted by Matthew Desmond). She prefers picture books that are winsome and pleasant to read aloud (Blueberries for Sal, Brigid’s Cloak by Bryce Miligan, Miss Rumphius). Humor is great when it helps tell the story (The Book with No Pictures, Good Dog Carl). Learn more about Anjanette here.

Sarah N. Fisk is a literary agent with The Tobias Literary Agency, and is open to pitches for young adult of all genres, middle grade of all genres, adult romance, science fiction, fantasy, speculative fiction, and select nonfiction (see wishlist for more specifics). They also take pitches for mysteries and thrillers via conferences only. Sarah especially loves fiction that is compulsively readable and social justice issues woven into commercial plots. Particular areas of interest include atmospheric fantasies, speculative mysteries, books that challenge societal norms, especially gender norms. Learn more about Sarah here.

            More 2024 agents to be announced as they are confirmed. You can sign up for pitches at any time, or switch pitches at any time, so long as the agent in question still has appointments open.

These one-on-one meetings are an amazing chance to pitch your book face-to-face with an agent, and get personal, individual feedback on your pitch/concept. If the agent likes your pitch, they’ll request to see part/all of your book — sending you straight past the slush pile. It also gives you an intimate chance to meet with an agent and pick their brain with any questions on your mind.

(Please note that Agent/Editor Pitching is an add-on, separate aspect of the day, for only those who sign up. Spaces are limited for these premium meetings, and pricing/detail is explained below.)

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PRICING:

$189 — EARLY BIRD base price for registration to the 2024 OWW and access to all workshops, all days. (You also get 10+ additional free pre-recorded webinars on writing and publishing.) As of fall 2023, registration is now OPEN.

Add $29 — to secure a 10-minute one-on-one meeting with any of our literary agents or editors in attendance. Use this special meeting as a chance to pitch your work and get professional feedback on your pitch. (Spaces limited.) If they wish, attendees are free to sign up for multiple 10-minute pitch sessions at $29/session — pitching multiple individuals. There is no limit. Here are quick testimonials regarding writers who have signed with literary agents after pitching them at prior Writing Day Workshops events. Our bigger, growing list of success stories can be seen here.

“I met my client, Alison Hammer, at the Writing
Workshop of Chicago and just sold her book.”
– literary agent Joanna Mackenzie of Nelson Literary

“Good news! I signed a client [novelist Aliza Mann]
from the Michigan Writing Workshop!”
– literary agent Sara Mebigow of KT Literary

“I signed author Stephanie Wright from
the Seattle Writing Workshop.”
– literary agent Kathleen Ortiz of New Leaf Literary

“I signed an author [Kate Thompson] that I
met at the Philadelphia Writing Workshop.”
– literary agent Kimberly Brower of Brower Literary

“I signed novelist Kathleen McInnis after meeting her
at the Chesapeake Writing Workshop.”
– literary agent Adriann Ranta of Foundry Literary + Media

Add $69 — for an in-depth, personal critique of your one-page query letter from Brian Klems, one of the workshop’s former instructors. (This rate is a special event value for Ohio Writing Workshop attendees only.) Registrants are encouraged to take advantage of the specially-priced critique, so they can send out their query letter with confidence following the workshop. Also, if you are meeting with an agent at the event, you’re essentially speaking your query letter aloud to them. Wouldn’t it be wise to give that query letter (i.e., your pitch) one great edit before that meeting?

Add $89 — for an in-depth personal critique of the first 10 pages of your novel. Spaces with faculty for these critiques are very limited, and participating attendees get a phone/Zoom critique meeting with the faculty member. Options:

• Mystery, crime, suspense, thriller, horror, mainstream, commercial, contemporary fiction (virtual critiques): Faculty member Heather Chavez, a published novelist, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting.
• Young adult, middle grade, literary fiction and adult fantasy (virtual critiques): Faculty member Amanda Sun, a published novelist and current publishing house editor, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting.
• Young adult, middle grade, romance, upmarket/literary, women’s fiction, fantasy, paranormal, picture books; in nonfiction, self-help or inspirational by women (virtual critiques): Faculty member Lindsay Flanagan, a published novelist and former agent, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting.
• Children’s picture books and middle grade (virtual critiques): Faculty member Brittany Thurman, a published author, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting. If you submit a picture book, it must be 1,000 words or fewer (can have illustrations or not).
• All types & genres of fiction for adults and young adults (virtual critiques): Faculty member Kristi Belcamino, a published novelist, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting.
• More critique options possibly forthcoming.

How to pay/register — Registration is now open. Reach out to workshop organizer Brian Klems via email: WDWconference@gmail.com, and he will provide specific instructions for payment and registration to get you a reserved seat at the event. Payment is by PayPal or check or credit card. Because Brian plans different workshops, make sure you note that you’re inquiring about the Ohio workshop specifically.

REGISTRATION:

ONLINE: Writing Day Workshops plans both in-person and virtual/online conferences. The 2024 OWW is an Online Conference, on May 10-11. Online events are easy and awesome, and the virtual events we’ve done thus far have received wonderful feedback. You do not have to be tech-savvy to do this, and understand we are keeping all aspects of a traditional in-person event, including one-on-one agent & editor pitching, which will now be done by Zoom or phone. Learn all details about what it means to have a writers conference online.)

Are spaces still available? Yes, we still have spaces available. We will announce RIGHT HERE, at this point on this web page, when all spaces are taken. If you do not see a note right here saying how all spaces are booked, then yes, we still have room, and you are encouraged to register.

How to Register: The easy first step is simply to reach out to workshop organizer Brian Klems via email: WDWconference@gmail.com. He will pass along registration information to you, and give instructions on how to pay by PayPal or check or credit card. Once payment is complete, you will have a reserved seat at the event. The OWW will send out periodic e-mail updates to all registered attendees with any & all news about the event. Because Brian plans different workshops, make sure you note that you’re inquiring about the Ohio workshop specifically.

Refunds: If you sign up for the event and have to cancel for any reason at any time, you will receive 50% of your total payment back [sent by check or PayPal or CC refund]. The other 50% is nonrefundable and will not be returned, and helps the workshop ensure that only those truly interested in the limited spacing sign up for the event. (Please note that query editing payments and manuscript editing payments are completely non-refundable if the instructor has already started edited your work.)

Thank you for your interest in the Ohio Writing Workshop.